Explore Drama Tv Shows, Legal Highs, and more!Drama is the broadest of genres and difficult to define. How much tension must be internal or inter-personal or can it still have a little action? The problem is that drama is a key ingredient of all movies. And so does Netflix. Alejandro Gomez Monteverde Bella is a delicate legal high 1 gooddrama powerful story of hith.
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Drama is the broadest of genres and difficult to define. How much tension must be internal or inter-personal or can it still have a little action? The problem is that drama is a key ingredient of all movies.
And so does Netflix. Alejandro Gomez Monteverde Bella is a delicate but powerful story of grace. The film steadily strums at your heartstrings, but it plays a gentle Nick Drake-like melody, always sweet but rarely melodramatic. Greg Mottola Adventureland is a part of a long tradition of autobiographical coming-of-age stories.
Adventureland does not break from this, and yet it feels special—light, easy to like and more forthright than one would expect. Set in , when writer-director Greg Mottola was the same age as the characters, the movie considers James Jesse Eisenberg , a recent college grad whose plans for a European summer morph into a season at the eponymous local park.
The stock population is all there: Booze, hash brownies, malicious elders and romantic entanglements complicate things, but not by much. Mottola made Superbad , a very funny movie that became a phenomenon, but he insists on a more modest approach here.
On the way out of Adventureland , there may not be any eminently quotable lines or gags, but there is the rare sense of satisfaction that comes from a story told through careful, patient eyes. Though Force Majeure is mostly about a seemingly good dad who makes a bad split-decision while on vacation with his seemingly perfect family, the film would rather question the more primeval forces that bind us: Can we ever know the people we love most?
Through a series of vignettes—some connected, some not—we see snippets of life. Andersson fixes his camera in one spot and the action plays out in front of us: And there are two stories that have subsequent episodes, including one featuring a couple of salesmen Holger Andersson and Nils Westblom who specialize in novelty joke items like fake vampire teeth.
With no cuts and often incorporating exceptionally understated choreography within the frame, A Pigeon Sat on a Branch Reflecting on Existence is a wonder to behold on formal terms: Andersson creates deceptively low-key movies that are actually quite visually and thematically sophisticated. Jacob Josh Wiggins is the titular hell-raising pre-teen who takes his younger brother on dangerous adventures in vandalism. Jacob sees a motocross rally as his chance for some redemption, but this is no heart-warming sports movie.
Tinker Tailor Soldier Spy Year: Shortly after a botched operation to ferret out the mole ends his career, Control John Hurt dies, leaving his investigation in the hands of retired operative George Smiley Gary Oldman. With grayed blond hair and owlish glasses, Oldman disappears into his role, not only physically but behaviorally. Tatum worked as a stripper for eight months early in his career, and if Magic Mike is any indication, it was a good time for both the ladies and the performers—the movie certainly is.
But Magic Mike would hardly be as magical without Tatum, whose good looks, athletic physicality, easygoing charm and heart-on-his-sleeve sincerity are as seductive to moviegoers as to the women he dances for on-screen.
Blue is the Warmest Color Year: Abdellatif Kechiche Three-hour movies usually are the terrain of Westerns, period epics or sweeping, tragic romances. It hurts like real life, yet leaves you enraptured by its power. Still, Contact is a beautiful film about the struggle between the tangible and the ephemeral, between faith, intellect and ambition. Short Term 12 Year: Destin Cretton As it progresses, Short Term 12 remains rigorously structured in terms of plot; yet it never feels calculated.
In fact, the film serves as a fine example of how invisible screenwriting can be. Told with stylistic bravado and minimal dialogue none in the last 30 minutes , the film continually finds new ways to evoke unexpected feelings.
The means to the interconnectivity is a small worm whose parasitic endeavors link lives together. This allows more time to explore the emotional impact the organism has on the characters. An elaborate intellectual concept fuels the film, but a rich sense of humanity gives it power. It smartly subverts one of the stalest genres of comedy, and still remains edgy almost 30 years later. The Big Short Year: McKay looks to counteract the inherently dry, impenetrable subject matter on display with boatloads of vibrant, cinematic style.
The Big Short may not always succeed, but it stands as an essential film nonetheless. Heaven Knows What Year: Cinematographer Sean Price Williams captures Holmes and her excellent supporting cast through a combination of tight close-ups and long shots that lend the film an air of removed intimacy. Cinema lets us engage with difficult subject matter through a veneer of security. But something like Heaven Knows What pierces that veil. By its very nature, it pushes the boundaries of our personal comfort.
But unlike the folks at Disneyland , Frank plays bizarre, haunting music with disorienting melodies and foreign, electronic tones. The title character in Frank looks like Frank Sidebottom, the alter ego of British comedian and outsider musician Chris Sievey. But Frank is a variation on a theme in a contemporary setting rather than a true story. He lives a comfy life at home until he is swept into the adventurous life of a band on the road, driving all night and playing to empty rooms.
He sees the romance, but is rather slow to pick up on some of the anguish and mental illness that his bandmates suffer. He uses his voice and body language to express excitement, a welcoming nature and varying degrees of anxiety. Christian Petzold Rarely in recent memory has the insoluble mystery of other people been so potent a driving force as it is in Phoenix.
John Woo The Killer is one of a few reasons that Chow Yun-fat will maintain unquestionable badass status until the day he dies. Chow plays a hitman who, in the way of these films, is trying to leave the business.
The plot is simply a web of cliches; the film is a classic for the glorious, crazy, over-the-top gun battles and fight scenes. John Wick is basically, in its aesthetics, a love letter to The Killer.
Down to his very jawline, Affleck captures the physicality and feeling of a sincerely romantic outlaw. His direction is elegant and restrained, because he has the confidence not to force his effects. Undoubtedly, part of his confidence comes from the gift he got from Braga, who gives not only the performance of her career but one of the greatest performances by any actress in any movie, ever. She does the same thing with her voice, face and body that Filho does with his camera, finding economical gestures that express infinite emotions and ideas.
The Imitation Game Year: Morten Tyldum The historical thriller The Imitation Game is precisely the type of film studios love to dangle as Oscar bait. It focuses on a relatively unknown, yet significant, World War II code-cracking project and features a socially awkward genius as its protagonist.
Noted mathematician and cryptanalyst Alan Turing is often considered the father of modern computer science, but his most consequential work—conducted as a WWII codebreaker—remained largely unknown until the British government declassified related documents in the s. Their work is said to have shortened the length of the war by several years. Cumberbatch gives an intense performance as the brilliant loner with behavior that registers along the autism spectrum.
While he indulges in too much scenery chewing and stammering, Cumberbatch creates a memorable character who is at once fascinating and off-putting. Knightley shows off a dynamic range as she plays a dutiful daughter, torn between obligations to her parents and her country. Matteo Garrone Gritty like The Godfather or the work of Martin Scorsese , Gomorrah depicts five microcosmic stories of the brutal underground mafia scene in Naples.
A nocturnal rambler who scrounges for anything he can steal and sell, Lou is a motivated self-starter. When he comes across the lucrative world of nightcrawlers, freelance stringers who race after breaking news stories—the bloodier, the better is the prevailing wisdom—he has the ambition, opportunity and, most importantly, the moral flexibility to excel.
Gyllenhaal, who shed in excess of 30 pounds for the role, has rarely—if ever—been better. Lou is calm, frank, goal-oriented and even borders on charming at times, but this measured exterior belies the inherent violence you spend the entire movie waiting to see erupt.
Nightcrawler is tense and intense, ferocious and obsessed, and crackles with energy and a dark sense of humor. And this time, Mills drew on his own life for the story of Beginners. Robert Laing Tom Hiddleston wanders waste-strewn halls. Clouds of Sils Maria Year: But Assayas largely transforms such potentially precious material into something far more rewarding and, ultimately, ambivalent.
A movie of internal puzzles, it consistently hints at something more sinister or provocative just around the corner.
Macon Blair Winner of the U. Ruth wonders aloud why everyone is an asshole moreso, why assholes so easily get away with being assholes , and Blair seemingly wonders the same thing, punctuating his mundane neo-noir with gruesome violence and unexpected physical comedy a projectile vomit scene, in particular, rivals the classic back-alley puke-fest from Team America. The African Queen Year: With the added element of survival driving their journey, the flirtatious banter between classy widow Rose Sayer Katherine Hepburn and crass boatman Charlie Allnut Humphrey Bogart crackles all the more, making for a rom-com as vicious as it is sweet.
Michael Almereyda Watching Experimenter is to realize how little life is in most biopics. Despite being based on a real life, the standard biopic feels freeze-dried, narrative conventions calcifying the subject matter and strangling any spontaneity out of the material. Most such movies carry the stench of rigor mortis, but Experimenter is alive and alert from its first moment.
Where other biopics seem to have made up their minds about their famous figures before the opening credits roll, this remarkable study of social psychologist Stanley Milgram remains curious, exploring and questioning his life, career and findings.
Many biopics simplify great lives; Experimenter enriches and enlarges one. Here are the 60 Best Dramas currently streaming on Netflix: Previous 1 2 See All Next. Tags best movies drama netflix netflix drama.